
There is one strong force in human society.
This is the need to separate oneself from the common masses and to move upwards in the pecking order. As a social species, we differentiate from the rest through outstanding achievements in sports, arts, personal beauty, money-making, etc.
Some of these achievements can be created through hard work, some through natural talent, some of it is a genetic legacy.
Michael Jordan was the best basketball player possibly ever. He wasn't that good at first, but worked at it and became the best. Even LeBron James and Kobe Bryant are doofuses by comparison.
This, most people think, is a legitimate achievement. There was no Affirmative Action involved, there was no legacy that allowed him to piggyback his grandpa's success, it was just plain merit based on hard work and individual genius.
Some examples of illegitimate merit would include the caste system of India in which those on top (the Brahmin) were supposedly divinities in human form. This is similar to the notion of the Divine Right of Kings, or to the idea that slaveholders held that the children of Ham were in bondage in perpetuity for some obscure crime in the OT.
So there is legitimate merit and illegitimate merit.
In sports, this is relatively clear. Those who play basketball well, can do this in such a way that the scoreboards reflect their level of play.
In the arts, it is less clear. Some scumbags might take over the arts, or one section of it, by operating as a group: writing good reviews of one another's work, and moving through the field like a phalanx, silencing critics, taking over funding agencies, distributing the goods only to themselves.
In a classroom a teacher should set clear standards of merit and be objective.
In law, a judge should attempt to decide on the merits of the case, rather than let personal prejudices decide the outcome.
Objective merit is important as it makes people work harder. Lutheran Surrealism believes in meritocracy, rather than in aristocracy, or in the divinity of given groups whether they be based on race, gender, and class, or on disability, or some other outward mark.
There is another force in society that is weak.
This force wants everyone to be equal.
Communists speak in the name of this secondary force, and often try to kill everyone who doesn't believe in it (Pol Pot is the most salient example). The communists redistribute grades, money, beauty (mandating dreary dress) and other marks of beauty so that there is sameness, and no pecking order. But the pecking order reasserts itself into an inner and outer group. Progressives think that because they are more progressive (closer to what God intended), that they are divinities in human form. You can get a glimpse of them in this video:
Steve Martin plays a progressive Marxist thrown back into Egypt to illustrate the progressivist as Pharoah:
http://www.youtube.com/watch?v=wgTPH5y1-ZI
People naturally form into pyramids (is this the reason the pyramids were originally built? to show that there IS a human pyramid and that it was built by slaves to illustrate the greatness of the pharoahs and their consorts mummified therein). The pyramids are colossally beautiful depictions of an ugly fact about human nature: we want to build pyramids to our greatness, and to believe we are great, even if it seems stupid and ugly and nonegalitarian. Mao and Stalin and Lenin were all enbaumed, just like the pharoahs, and meant to be kept in perpetuity as an exemplum of human perfection and divinity. Kim Jong-Il, likewise. Try to remind Robert Mugabe that he's only human and see what happens.
I don't think you can take the need for pyramids of achievement away from people, but you can ask whether or not a given pyramid is legitimate.
In sports (with the exception that a coach lets his son play more than others who are more deserving) talent outs. (In some cases as in the Maravich case, the son really was the best player on the team, so I'm not indicting all coach-player father-son combinations.)
In the arts, merit is less clear. Having amazing people skills, as Warhol did, is good, but also being able to fit into a given phalanx of people, probably also helps. Warhol and many of his art critics such as Geldzahl moved in the same social circles and saw one another as gods in human form.
The great rugby scrums of race, gender and class are arranged sportively, but are they really fair? Do they attempt to substitute a newly divine group (with the ONE as their representative) for a newly sidelined divine group (WASPS)?
Outside of the realm of sports, it is difficult to discover true merit.
I think this explains the fascination of sports in the arts, and why we see in films such as Victory (1981) in which POWs play a soccer game against Germany's finest in Nazi-occupied Paris. Heart, and talent, even in terrible conditions, vie to be the best with the self-proclaimed master race.
Talent triumphs (to a degree).
In Invictus, a more recent film, something similar takes place in which a black team plays a white team (I haven't seen this film, but I assume it illustrates my thesis).
Jesse Owens running in the 1936 Olympics helped to challenge the Master Race's notion of their own triumphal place in the human hierarchy.
Art is often weak in its portrayals of justice, and is often unjust insofar as certain people have insider tracks. It is often considered elitist, and therefore to be merely one more way for the wealthy to lord it over the poor. Some novelists from wealthy families with insider tracks to education, go to Harvard and the other Ivies and end up garnering prizes through their connections with others who end up going into publishing. Outsiders have relatively little chance against them.
IQ tests are also thought to be elitist.
Marxism anointed the poor, so some of the rich dressed up as the poor and tried to get a double whammy. Beat writers went to excellent schools (and some of them came from money): Harvard (Burroughs and Corso), Columbia (Kerouac and Ginsberg). Beats who went to other schools or didn't go to school, were less well-placed, and are comparatively unanointed in the pantheon).
Art is at its best when it depicts sports. Sports reveal the true merit in any given person, or in any given group. Art should be more often about sports.
Art and sports were not so divorced in ancient Greece.
I'm not saying that sports stars should become our new gods, or that they should be entitled to act like them. Tiger Woods shows where that leads: to a golf club upside the head.
The Greeks liked sports because it has SOMETHING to do with Democracy. Fairness, decency (be a good sport), in which the real nature of a person comes forward. Even in Rome this was held to be true (think of the film Gladiator in which Emperor Commodious wants to fight Crowe's character in the Coliseum to show his true worth, but skews the process by wounding Crowe's character in advance, and yet he's still killed in the contest). We like it when true merit disestablishes false merit. In sports, more than in any other arena, we frequently see this to be the case.
Christianity argues that we should try to see one another as equals. This creates solidarity. But it is a weak force. Perhaps Christianity can only give us equality of opportunity. Each person has infinite value and is made in the image of God. It's not just a few, it's all. If that's the case, why do we still play sports?
Why do we exult when our team wins?
Why did the feminists exult when Billy Jean King beat Bobby Riggs?
Why do we look at comparative incomes?
Why are we so unhappy with the equality scenario?